Posts written by nicky;

  1. .
    Inizio lentamente e aggiornerò questi giorni piano piano...

    Iniziamo con quelle di Just Jared:

    107793213_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793214_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793220_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793224_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793228_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793233_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793234_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793239_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793242_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793245_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793249_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793250_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793253_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793257_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793263_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793264_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793266_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793272_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793275_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793276_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793283_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793288_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793290_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793295_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793299_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793303_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793305_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793309_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793315_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793316_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793317_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793321_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol 107793325_leonardo-dicaprio-brad-pitt-margot-robbie-hit-cannes-for-once-upon-a-time-in-hol

    Lainey Gossip:

    107794415_1jxuvje 107794418_1lj8hcg 107794423_6on9klb 107794431_7rxexbt 107794432_94optrw 107794437_b6sgs4s 107794439_b30c1en 107794440_bvnrwta 107794442_czvhju4 107794446_en6nlep 107794447_hvmftbt 107794448_i5n0csr 107794451_jd2fnqu 107794452_k4aw9x4 107794456_m2qvgil 107794457_o88dcvq 107794459_psp7kld 107794460_srqwpuu 107794462_tx4v9fl 107794463_vadjyfn 107794466_vb4jmnh 107794470_yvp5pq0 107794474_z5jmgbz
  2. .
    Mettiamo anche qui la partecipazione a Cannes:

    https://variety.com/2019/film/news/once-up...ino-1203201142/
    https://deadline.com/2019/05/quentin-taran...nes-1202605991/
    https://www.nytimes.com/2019/05/02/arts/qu...-hollywood.html

    CITAZIONE
    “We were afraid the film would not be ready, as it wouldn’t be released until late July, but Quentin Tarantino, who has not left the editing room in four months, is a real, loyal and punctual child of Cannes!” Fremaux said Thursday. “Like for ‘Inglourious Basterds,’ he’ll definitely be there – 25 years after the Palme d’Or for ‘Pulp Fiction’ – with a finished film screened in 35mm and his cast in tow.” Fremaux described the film as a “love letter to the Hollywood of his childhood, a rock music tour of 1969, and an ode to cinema as a whole.”

    “Once Upon a Time in Hollywood” is expected to unspool May 21 to mark the 25th anniversary of “Pulp Fiction’s” world premiere on the Croisette.
  3. .
    104784526_leonardo-dicaprio-picks-up-breakfast-to-go-in-nyc-01 104784547_leonardo-dicaprio-picks-up-breakfast-to-go-in-nyc-02 104784675_leonardo-dicaprio-picks-up-breakfast-to-go-in-nyc-03 104784744_leonardo-dicaprio-picks-up-breakfast-to-go-in-nyc-04 104784894_leonardo-dicaprio-picks-up-breakfast-to-go-in-nyc-05 104784981_leonardo-dicaprio-picks-up-breakfast-to-go-in-nyc-06 104785023_leonardo-dicaprio-picks-up-breakfast-to-go-in-nyc-07 104785096_leonardo-dicaprio-picks-up-breakfast-to-go-in-nyc-08
  4. .
    Secondo me il personaggio di Leo farà ridere un bel pò :lol:
  5. .
    104501823_leonardo-dicaprio-steps-out-for-a-stroll-in-the-big-apple-01 104501825_leonardo-dicaprio-steps-out-for-a-stroll-in-the-big-apple-02 104501826_leonardo-dicaprio-steps-out-for-a-stroll-in-the-big-apple-03 104501829_leonardo-dicaprio-steps-out-for-a-stroll-in-the-big-apple-04 104501835_leonardo-dicaprio-steps-out-for-a-stroll-in-the-big-apple-05
  6. .
    Chiaretta, forse questa ti piacerà anche di più...

    ajch7EH
  7. .
    Ed ecco una nuova foto ed un articolo veramente interessante sul film:
    https://ew.com/movies/2019/04/25/quentin-t...lywood-preview/

    CITAZIONE
    Once Upon a Time in Hollywood producers spill new details on DiCaprio, Pitt, Robbie, and the plot

    ouatih_327838348994833434

    The first thing you need to know about Quentin Tarantino’s Once Upon a Time… in Hollywood is that it is not a Charles Manson-murders movie, according to producer David Heyman.

    “That’s one of the big misconceptions to clarify,” he tells EW. As part of EW’s Summer Movie Preview, Heyman and producer Shannon McIntosh, who’s worked with Tarantino for more than two decades, cleared up some mystery around the plot of Tarantino’s anticipated movie and teased some intriguing details.

    Set in 1969, Once Upon a Time brings together Leonardo DiCaprio as fading Western TV star Rick Dalton and Brad Pitt as his stunt double Cliff Booth, two friends navigating an industry and era in flux, painstakingly re-created on location in Los Angeles by Tarantino. But Charles Manson and his deadly cult do play an important role in the film; Australian actor Damon Herriman plays the infamous cult leader, while Margaret Qualley, Dakota Fanning, and Lena Dunham play members of his Manson Family.

    “It’s about the loss of innocence that came about in 1969 with the Manson family,” explains McIntosh. There’s the starry Margot Robbie as It Girl and eventual 
Manson-family victim Sharon Tate, who lives next door to Rick. “It’s the three classes of Hollywood,” says Heyman. “There’s the high Hollywood of Sharon, the declining star of Rick, and there’s Cliff, who lives farther out and with more humble means.”

    But first thing’s first — pairing DiCaprio and Pitt together for the first time in a feature is one of the biggest draws of the project. For McIntosh, who worked with Pitt on Tarantino’s Inglourious Basterds and DiCaprio on Django Unchained, bringing the two together finally was “absolutely magnetic.”

    “I can’t wait for the world to see Brad’s performance in this,” she says. “He’s so wonderful and charismatic and I think he is the Brad that people fell in love with years ago. Especially when he’s going toe-to-toe with Leo, his performance is amazing, he looks great and I think people will be reminded why he is the movie star that we know he is.”

    And there’s an interesting dynamic between the two characters, Heyman explains. DiCaprio’s Rick Dalton is “not the movie star that he had hoped to be, so he’s struggling — he’s a working actor, but he’s not a movie star.” On the flip side, Pitt’s Cliff is “at ease, and comfortable with who he is” as Dalton’s stuntman.

    “These are two people who have a history together and the loyalty that they have for one another is really potent,” Heyman says. “It’s really a film about that friendship and about the power of that friendship as they go on their journeys together and separately.”

    And then there’s Robbie as the beautiful Tate. “[Sharon Tate] has been mythologized in some way through the murders but we get to see her as a person and we get to see her delight and enthusiasm and her sweetness,” Heyman explains. “She represents an innocence and innocence lost in some way, and that innocence is very much — that sweetness, that goodness, that delight with the movies, with her, with her life — is something that we experience.”

    The role was prepared very carefully by both Tarantino and Robbie, who had the blessing of Tate’s sister Debra Tate. McIntosh said Robbie “wanted to honor Sharon’s memory and she really drilled down to make sure that she got the best performance and was really embracing all that Sharon was.”

    She added that Tarantino “absolutely embraced Debra Tate, and that was very important to him and to us that she’d be comfortable with what we’re doing because obviously anyone thinking that we’re making it a Manson movie, which we’re not, but he was very sensitive to that and remains sensitive to that.”

    But there’s also change afoot in 1969, a year that marked a major transition in Hollywood as it was shifting out of the Golden Age and with the expansion of television, into new, uncharted territory. For Rick and Cliff, it means a time for personal transformation as well.

    “They’re going to have to reinvent themselves, and the extent to which they are able to will determine their futures. What I love about this, it’s just so singularly told because it’s Quentin Tarantino turning his eye on his hometown. Nobody else could have made this film,” Heyman says.

    Los Angeles has always been home turf for Tarantino, and majorly featured in his first three films; Reservoir Dogs, Pulp Fiction, and Jackie Brown. But since then, he has traveled to further regions in his subsequent tales and it has taken Tarantino until this, his ninth film, to explore the Los Angeles of his childhood (he was 6 years old when the movie takes place) and the industry that so inspired him that he’s known to be a walking film encyclopedia.

    “This is Quentin’s most personal film,” Heyman explains. “This is his memories of growing up in Los Angeles and being a fan of Hollywood.”

    To transport audiences back to the Los Angeles of his childhood, Tarantino and his team transformed many of the city’s iconic locations on Hollywood Boulevard to their 1969 versions. There’s the renowned Grauman’s Chinese Theaters, the Aquarius Theatre on Sunset Blvd, and Sherman Oaks’ classic Mexican restaurant hangout Casa Vega. And there’s L.A.’s airport LAX, which Heyman quipped that they didn’t have to do much with as its 1969 self still pretty much exists today (and the airport’s renovations were held off until the film was done shooting, McIntosh added).

    There’s also the music — the producers didn’t want to give away the magic of Tarantino’s soundtrack, but McIntosh said that KHJ, the radio station that dominated Los Angeles in 1969, and Boss Radio’s Boss Angeles will feature prominently as the characters travel through the story.

    All of this culminates not only in Tarantino’s most personal film, but also his most moving one, Heyman says. It has his trademark sharp humor and style, but it’s “really moving, because it’s such a personal story,” the producer explains, drawing comparisons to Alfonso Cuaron’s Oscar-winning movie Roma.

    Tarantino is deep into finishing the film for its July 26 release, but there have been discussions about whether it’ll debut at Cannes next month, 25 years after Pulp Fiction won the Palme d’Or, putting Tarantino on the map.

    “We’re going to see if it’s ready,” Heyman says. “I know films are being announced, we have a little bit more time to decide. If we can get it ready, we will go. We’d like to go, of course, but at the same time, the film’s got to be all that it can be.”

    Consider our appetite sufficiently whetted for Tarantino’s romp through the Hollywood of his memories.

    uu9pmDP
    Adesso inizio davvero ad entusiasmarmi troppo...
  8. .
    Avete letto la trama del film originale?

    Plot

    The movie follows the rise and fall of a con man—a story that begins and ends at a seedy traveling carnival. The carnival's barker, Stanton "Stan" Carlisle (Tyrone Power), is fascinated by everything there, including a grotesque geek, who prompts an observation from Stanton that he "can't understand how anybody could get so low." Stanton works with "Mademoiselle Zeena" (Joan Blondell) and her alcoholic husband, Pete (Ian Keith). Once a top-billed vaudeville act, Zeena and Pete used an ingenious code to make it appear that she had extraordinary mental powers, until her attentions to other men drove Pete to drink and reduced them to working in carnivals. Stanton learns that many people want to buy the code from Zeena for a lot of money but she refuses to sell; she is saving it as a nest egg.

    Stanton tries to romance Zeena into teaching it to him but she remains faithful to Pete, feeling guilty over the role she played in his downfall and effectively nursemaiding him in the hope of some day sending him to a detox clinic for alcoholics. But one night in Texas, Stanton accidentally gives Pete the wrong bottle: the old man dies from drinking wood alcohol instead of moonshine. To keep her act going, Zeena is forced to teach Stanton the mind-reading code so that he can serve as her assistant.

    Stanton prefers the company of the younger Molly (Coleen Gray). When their romance is found out, the remainder of the carnies including strongman Bruno (Mike Mazurki) force the pair into a shotgun marriage. No longer welcome in the carnival, Stanton realizes this is actually a golden opportunity for him. He and his wife leave the carnival. He becomes "The Great Stanton", performing to enraptured audiences in expensive nightclubs in Chicago. As well as things seem to be going, however, Stanton remains emotionally troubled by Pete's death and by his own part in it. He eventually seeks counseling from psychologist Lilith Ritter (Helen Walker), to whom he confesses all that has occurred.

    Since Lilith makes a point of recording all of her sessions with her patients, she has a compilation of sensitive information about the lives of various members of Chicago's social elite. Recognizing themselves as kindred spirits to a degree, Lilith and Stanton conspire together to manipulate her patients, with Lilith secretly providing private information about them and Stanton using that information to convince them that he can communicate with the dead. The plan almost works, until Stanton tries to swindle skeptical Ezra Grindle (Taylor Holmes) by having Molly pose as the ghost of Grindle's long-lost love. When the heartbroken Grindle breaks down, Molly refuses to play-out the charade and reveals her true self to Grindle, thereby exposing Stanton as a fake. As he prepares to flee, Stanton discovers he has been scammed by Ritter, who gives him only $150 of Grindle's money rather than the promised $150,000 they had conned him out of to that point. With her recordings of Stanton's confessions to her available for use against him, Lilith threatens to testify that he is mentally disturbed should he accuse her of complicity in his crimes. Defeated, Stanton gives the $150 to Molly and urges her return to the carnival world where people care for her. Meanwhile, he gradually sinks into alcoholism.

    With nowhere else to go, the fallen Stanton tries to get a job at another carnival, only to suffer the ultimate degradation: the only job he can get is playing the geek, eating live chickens in a sideshow and replying to the offer with his recurring catchphrase, "Mister, I was made for it." Unable to stand his life any further, he goes berserk. Fortunately, Molly happens to work in the same carnival. Stan regains hope when he sees her again and Molly vows to nurse him back to health, but their reunion is bittersweet, recalling Zeena's nursing the ever-drunk Pete. This conclusion, while somewhat dark and ambiguous, differs from the novel, which implies that Stanton is doomed to work as a geek until he drinks himself to death.

    Wikipedia


    Cioè, ambientato al circo, e ci sono almeno 2/3 donne coinvolte. Si fa interessante. Spero davvero lo faccia.

    CITAZIONE (Anima blues @ 24/4/2019, 07:20) 
    Secondo rumors Leo ha ricevuto contemporaneamente offerte da Del Toro, PTA e Inarritu quest'ultimo periodo

    PTA poverino è dal 96 che cerca di lavorarci insieme ma ancora niente.

    E ha scelto Del Toro :D
    Chissà perchè.. è fresco di Oscar :lol:

    https://theplaylist.net/leonardo-dicaprio-...rritu-20190424/
    CITAZIONE
    According to Borys Kit from THR [...] The Oscar-winning actor had three projects to choose from, all from incredible directors. And as we reported earlier, he appears to have made a choice, working with Guillermo del Toro on “Nightmare Alley.” But who are the unlikely folks that didn’t land DiCaprio? Well, none other than Paul Thomas Anderson and Alejandro González Iñárritu.

  9. .
    CITAZIONE
    Leonardo DiCaprio in Talks to Star in Guillermo del Toro’s ‘Nightmare Alley’ Remake

    leonardo-dicaprio-nightmare-alley

    Leonardo DiCaprio is in negotiations to star in Fox Searchlight’s remake of “Nightmare Alley,” Guillermo del Toro’s follow-up to his Oscar-winning film “The Shape of Water.”

    Del Toro will direct the pic and co-wrote the script with Kim Morgan. The pic is being produced and financed by Guillermo Del Toro and J. Miles Dale with TSG Entertainment, with Fox Searchlight acquiring worldwide distribution rights to the film.

    The film is based on the 1947 Fox movie that starred Tyrone Power as an ambitious young con-man who hooks up with a female psychiatrist who is even more corrupt than he is. At first, they enjoy success fleecing people with their mentalist act, but then she turns the table on him, out-manipulating the manipulator.

    The plan is for the film to shoot in the fall as del Toro fills out the remaining roles.

    After “The Shape of Water” went on to win several Oscars, including best picture and best director for del Toro, the auteur decided to hold off on picking his next directing gig, only focusing his efforts as a producer on the Searchlight movie “Antlers.”

    DiCaprio has not been seen in a movie since his Oscar-winning performance in “The Revenant” in 2015, choosing to take some time off before signing on to star in Quentin Tarantino’s next film, “Once Upon a Time in Hollywood.” That film, which also stars Brad Pitt and Margot Robbie and centers on the Manson family murders, is scheduled to bow on July 26.

    He is repped by LBI Entertainment.

    VARIETY

    La cosa sembra mooolto interessante! Per prima cosa non è un biopic noioso, seconda: Del Toro.
  10. .
    Nuova still, spero si trovi presto in HQ

    Hen9qyc
  11. .
    104216004_leonardo-dicaprio-at-kate-hudson-birthday-party-01 104216005_leonardo-dicaprio-at-kate-hudson-birthday-party-02 104216008_leonardo-dicaprio-at-kate-hudson-birthday-party-03 104216011_leonardo-dicaprio-at-kate-hudson-birthday-party-04
  12. .
    Se non sbaglio maltrattava anche la fidanzata, non ricordo, ricordo solo che era stato violento in qualche occasione.
  13. .
  14. .
    Solo io trovo i suoi amici sempre più grassi?

    103754553_leonardo-dicaprio-avra-dinner-01 103754554_leonardo-dicaprio-avra-dinner-02 103754555_leonardo-dicaprio-avra-dinner-03 103754556_leonardo-dicaprio-avra-dinner-04 103754558_leonardo-dicaprio-avra-dinner-05

    A cena con loro c'era anche Emile Hirsch. Ovviamente di tutto il cast lui fa amicizia con quello. Ovvio. :ph34r:
  15. .
    Anch'io :lol3::
23000 replies since 30/3/2007
.